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13th March 2014, 05:29 AM
#11
Junior Member
Newbie Hubber
Engal Kochadaiiyaan
Was schearing for ARR in the whole Album, and finally found him shining in this composition. This is ARR style, the spirit to be different and render something unique. The basic idea to incorporate distanced instruments itself is creativeness at its peak. The pure sound of musical arrangement was just resonating.
Usually a song with Siva as backdrop, you have an extended Udukai throughout pounding your head. ARR himself did that in Baba Sakthi Kodu song. But here he has neatly presented the rage along with the motive, giving it a modern touch that has been missing for quite sometime now.
@1m30s, the real party begins.
The chorus is aptly tiggered where the male taking the upliftment of the mountains while the female vocals occupy the streams following down from it. The whole setup is throughly thought and recorded to bring in a feel about the suituation and the location of the song. I am sure this song along with the visuals is going to do wonders on screen.
Vairamuthu has put in just a couple of lines giving enough space for the music to roll in. But these lines are quite concentrated, just like a effective oneliner of a massive concept. He pens lauding Siva masking it as a praise for Kochadaiiyaan -
Ninnadi Serndhaal Neraadhu Maranam
Kalam Kadandhum Pechudaiiyaan,
Kattrai Kadandhu Mochadaiyaan
before signing off with an epic line - Kondrai Soodum Kochadaiiyaan - Kondrai is a flower, adding the meaning to the title Kochadaiiyaan
Engal Kochadaiiyaan : Flower in the wind
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13th March 2014 05:29 AM
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