-
19th March 2012, 08:34 AM
#1
Senior Member
Veteran Hubber
wow!wow!wow! yes, thanks a lot rararamsgi for the link. How beautifully he explained the hamsanandhi raagam and how he gets into film song, explaining the beauty of the raagam, wonderful! While explaining the raagam I was overwhelmed when he said it requires wisdom to extract the brightness/essence/swaroopam in any raagam is what is most important, be it muthiah bhagavathar, papanasam sivam or Ilaiyaraaja. It is always to good to hear these words from these legends.
Three points to be noted/implied from TNS sir's thoughts.
How Maestro composed this film song (raagadeepam) in a purely carnatic classical way, yet it never sounds like a classical song, that's the beauty of the genius. Second, how he explored new and rare carnatic raagams in films. Third, any song which can be sung without any orchestration definitely has more weightage, as the melody content/soul is more in vocals.
-
19th March 2012 08:34 AM
# ADS
Circuit advertisement
-
20th March 2012, 01:49 AM
#2
Senior Member
Senior Hubber
Originally Posted by
V_S
wow!wow!wow! yes, thanks a lot rararamsgi for the link. How beautifully he explained the hamsanandhi raagam and how he gets into film song, explaining the beauty of the raagam, wonderful! ....
Yes, yes. I second that. TNS seems to be a good communicator. He knows how to explain carnatic music to film music listeners (like starting from the top, uruppadis etc) . Even I was able to understand and immediately could recognize the similarities. Somebody recommend some albums of TNS for the uninitiated (on carnatic) like me.
Bookmarks