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30th April 2012, 11:11 PM
#1
Senior Member
Veteran Hubber
Originally Posted by
Plum
# That his music is yet to be comprehended fully by even trained personnel came to the fore when Anil Srinivasan confidently introduced "Mad mod mood fugue", talking about how fugue segues into waves of melodies and how he found atleast six in this when 2 or 3 is the usual norm. Just a piece later, he had to sheepishly announce that Raja had called him in between the piece and informed him that this wasn't a fugue in the first place! This was the state of a renowned pianist who has been widely respected for his musical acumen in music circles of Chennai. Imagine what kind of surface scratching TFM fans have done over the years then?
Even there, if it is even acceptable, that to comprehend a genius work, it is not that easy, whatever music skills they have. I am more concerned that how people just/frequently dismiss his work without even knowing what they are missing. Poor genius!
Plum,
With all your posts I can only remember Saagara Sangamam climax scene after the dance is over, when Balakrishnan was introduced to the audience
as her Guru, and the audience start applauding, Kamal expresses with this glowing face that he wants to hear more of that and asks them continue
raising his hands. (Greatest film moment for me, that was/is/will be) This was because he was deprived of some great opportunities due to unavoidable circumstances and no one knows his true calibre. First time when he hears this uproar that too for him, he does not want them to stop. He feels that as a true recognition. Similarly your posts serves as that and everyone should read this and Maestro will be proud of. Thank you so much Plum.
When people bring in kolaveri di in this concert, I don't know what to say, except that guy was lucky that I am not there.
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30th April 2012 11:11 PM
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